Pages about being creative with computer

	Catlin Smith "...Intuition is knowing without knowing. Maybe this could be a theory of the intuitive. Of instinct. As Debussy says: "It is instinct only - as old as the world - which can save you..." http://www.vex.net/~rixax/lcs/writings/theory.html
	Chad Sowers "...Have you ever wanted to write your own piece of music but weren’t exactly sure how to get started?..." http://www.nashua-plainfield.k12.ia.us/projects/chad/
	Chong (John) Yu "...The same situation at a different time will produce something similar, but not an exact duplicate..." http://brainop.media.mit.edu/online/net-music/net-instrument/Thesis.html
	Classical Music Journal "...The most well known of these works, is a piece where the performer only sits at a piano and does not play..." http://www.classicalmusicjournal.com.au/john-cage-aleatoric-music/
	Composing Music with Computers - E. R. Miranda "...The human ear welcomes regularity. Random note durations merely serve to confuse the brain as it looks for rhythmic patterns and fails to find them..." http://neuromusic.soc.plymouth.ac.uk/camus/tutorial/camus.htm
	Craig Latta "...This is not the same as random music, but rather describes a technique for developing a musical progress with a random walk-like method..." http://www.faqs.org/faqs/music/composition-FAQ/
	Creative Principles "...For example, a change of register produces an excellent contrast. A change in dynamics and tempo is always a reliable procedure..." http://www.und.nodak.edu/dept/mcr/faq3.html
	David Cope "...composers like Lejaren Hiller, James Tenney, and Iannis Xenakis designed algorithms with the help of computers and complex calculations to create a new and innovative music based on pre-compositional resources..." http://musicalgorithms.ewu.edu/musichist.html
	Digital Media Laboratory - J. Parker "...1600s Athanasius Kircher, described in his book, Musurgia Universalis (1600), a mechanical device that composed music. He used number and arithmetic-number relationships to represent scale, rhythm, and tempo relations, called the Arca Musarithmica..." http://pages.cpsc.ucalgary.ca/~parker/Music/index.htm
	Earsense "...Motive:a relatively short melodic or rhythmic fragment that recurs frequently enough in a piece of music to be noteworthy: it often influences the entire nature of the piece..." http://www.earsense.org/Earsense/WTC/Vocabulary/motive.html

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