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According to our research, one of the most interesting attempt can be formulated:
Non-musical sounds ("sound effects"), with which we are momentarily surrounded, without a doubt, influence our work/feelings when we composing music.
Are they determined by the specific pitch, tempo, pattern...? How did these sounds make us feel?
Can we control it? Can we simulate it effectively?... Did these decisions "to feel this or feel that"... are made unconsciously or, rather, subconsciously... At last, is it possible to determine the common factors of e.g. rain/s, wind/s, clock/s, bird/s, water/s, machine/s,...or of any other permanent and continuous sound effect?
For sure, we do not expect to discover non-existent musical rules. It is only an attempt to find out - if exist - any correlation among "two or more somethings" and then implement it as well as possible (if possible of course) in "Virtual Music Composer".
"Creative musical originality implies a break with musical tradition through the introduction of original, novel, and non-existent musical contributions..." Ivo Supicic
